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Jose Macabra - London is Dead (BSLK002)

by Jose Macabra

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A side 29:17
B side 29:41


“London Is Dead” is a journey into the realms of London Life these days. Mainly composed using field recordings, processed vocals and processed acoustic instruments. This 60 minutes piece will take you in to a full cycle of life and death. Most of the ideas to compile this release came together while taking part in a collaboration with Vj London and Disenters’ Gallery called London Is Dead. Turn the light off, lay down somewhere comfortable, light up your smoke and press play.
Thank you very much to everyone around me that has been there for me. You are far too many to name on here though.
Enjoy the ride.

Jose Macabra is an inimitable Live artist . His presence at any event is sure to raise temperatures and provide a memorable experience. Specialising in “Teknoise”and "Electronic Ritual", expect Jose’s sets to rock a venue to its foundations, whilst always favouring audio innovation over safer territory. His magnetic stage presence and professional attitude ensure repeat bookings that have followed him throughout his career.
A Spanish native, Jose moved to London to study Sound Design at London College Of Communications. It was here he was introduced to the city’s vibrant electronic scene. As a result he’s played at countless underground parties, but his popularity has seen him take his sound “overground” across Europe, touching down in techno institutions. He’s had residencies at legendary parties and is held in high regard by promoters throughout the continent. He has been an integral part of the teams behind nights such as Behind Bars and Antagony.
Deviance is at the heart of everything Jose does. And "everything he does" turns out to be quite a lot. You see Jose is not only extremely talented but also something of a Renaissance man: as well as his storming club sets, he's also a performance artist, sound designer, improvised noise creator, producer and a beguiling solo live act. It’s this interest in performance that’s seen Jose receive commissions for galleries, artist collaborations and more, with his work performed in art establishment venues including The Barbican, Tate Modern , BFI and The Photographer’s Gallery. Works involving Jose’s sound design have toured major festivals in Madrid, Berlin, Athens, Brussels, Milan, Barcelona and other cultural centres.
Collaboration is at the heart of Jose’s work, be it in a straight-forward club setting or a soundtrack commission for theatre, a body-piercing performance or high art concept work. “If you book me, it’s because you like what I do”, he asserts with confidence. “You tell me what to do, but I will do it my way”. Jose has worked with Ernesto Tomasini, Ron Athey, HR. Giger, Sally Mann, Empress Stah, Lydia Lunch, FFIN DANCE Company, UCL, Unite The Union, Katerina Valstur and many more, but it’s with Sammie Joplin that he’s found his longest-standing collaborative partner. Performing as Brood, the due have been known
to challenge audience’s preconceptions with drone sets that sometimes last for hours on end.
Seemingly a mix of contradictions, this fierce, larger-than-life persona betrays a quiet, sensitive soul underneath. His early interest in the Catholic church prompted a lifelong understanding of the power of ritual that has carried over into his music. Jose’s father’s attempts to keep his son from this lifestyle proved flawed; “he told me that if you go to a Catholic school, you will become a priest or a homo. I wanted to be both!” Ultimately, the sense of danger and unpredictability Jose brings to performance is all part of the act. “Everyone’s life is a performance”, muses Jose. “The only thing that isn’t a performance is death.”


released April 3, 2017

Mixed down by Gunther Iscariot
GG on the violin
Graphic by Francesco Vertucci


all rights reserved



Blacksilk Records Berlin, Germany

Blacksilk is a multidisciplinary project founded by Marc Ash. Focusing on music, as a record label aims to bring out the best of yet hidden experimental and obscure electronic acts. It also pushes the boundaries conveying a well defined aesthetic imprint, trying to employ unconventional art into release-specific imageries.

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